Al-Baydawi’s interpretation of Alif Lam Mim Using the Rules of Tajweed
By Maulana Dr M Mansur Ali | September 10, 2011 2:00am
The Qur’an, that inimitable symphony, the very sounds of which move men to tears and ecstasy, invigorated the barren hearts of camel shepherds and transformed them in to guiding stars for humanity. That eternal and unimpeachable writ, which laid the foundation of a civilization that carried the knowledge of late antiquity in its bosoms and brought Europe out of its darkest hours. It had occupied the minds of philosophers, theologians, jurists and politicians of yesteryears. It had informed poetry, grammar, arts, aesthetics and belles-lettre. Umar II’s politics, Al-Rumi’s gazals, Al-Razi’s logic, Al-Ghazali’s ethics, al-Hariri’s prose, al-Attar’s poetry and Ibn Al-Arabi’s metaphysics all find their origins in this heavenly mandate. It had inspired the Sufi’s chanting of the souls, the music of the dervish’s reed, the literalism of the Salafi and the speculation of the rationalist. And yet its ultimate reality lies with Allah blessed be He in Whose hands is Dominion; and He over all things hath Power.
Muslims believe that the Qur’an is a literary miracle. An entire body of literature called ‘ijaz al-Qur’an had been developed to understand this miraculous aspect of the Qur’an. It uses eloquent Arabic language of the highest standard as well as a plethora of literary devices, the hallmark of any magnum opus. At times it employs short and fast paced verses resembling the beatings of the heart, whilst other times slow, meticulous and clear instructive verses are used to lay down points of law. Clear, unambiguous words, similes, alliterations, onomatopoeias, hyperboles, rhetorical questions, imageries, allegories, metaphors, aphorisms, euphemisms and ironies are its common features. Continue reading →